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Alice Eve, Shelley Hennig & Antonio Banderas To Star In Jon Keeyes’ Thriller ‘The Last Girl’ For Yale Entertainment

Alice Eve, Shelley Hennig & Antonio Banderas To Star In Jon Keeyes’ Thriller ‘The Last Girl’ For Yale Entertainment

Alice Eve (Belgravia), Shelley Hennig (Unfriended) and Antonio Banderas (Pain and Glory) have signed on to star in Jon Keeyes’ thriller The Last Girl for Yale Entertainment, which will head into production in Ireland this summer.

In the film written by Charles Burnley, Eve plays a private investigator forced into a dangerous alliance with a killer (Hennig) in order to uncover a quiet town’s grisly criminal underbelly and clear the name of her mentor (Banderas), who is implicated in the crimes.

Jordan Yale Levine, Jordan Beckerman, and Michael J. Rothstein are producing for Yale Entertainment, along with Richard Bolger and Conor Barry from Hail Mary Pictures, and Richard Clabaugh. Executive producers include Jesse Korman and Jeffrey Tussi from Yale, Nick Donnermeyer from Yale’s Great Escape, BondIt’s Luke Taylor and Matthew Helderman, Kurt Ebner, Stephen Braun, Kade Thomas, Jason Kringstein, Scott Levenson, Richard Switzer, Colby Cote, Lee Broda, Aden Darmody, Will Hirschfeld, Luke Daniels, Shaun Sanghani, Tyler Konney, and Grant Johnson. Yale’s recently launched sales banner Great Escape, led by Donnermeyer, will handle worldwide sales.
Eve recently starred in Epix’s limited series Belgravia from Downton Abbey creator Julian Fellowes and next will be seen in Prime Video’s drama series The Power. The actress just wrapped roles in the action-comedy Freelance, with John Cena and Alison Brie, as well as the horror film The Queen Mary. Additional credits include Netflix’s Black Mirror and Paramount’s Star Trek Into Darkness.

Hennig is known for roles in the horror film Unfriended, the MTV series Teen Wolf and the Netflix rom-com When We First Met with Adam Devine and Alexandra Daddario. She also starred in the Hulu series Dollface with Kat Dennigs and the Netflix series The Woman in the House with Kristen Bell, recently wrapped filming on Teen Wolf: The Movie and can currently be seen starring in the supernatural comedy Gatlopp.

Banderas’ decades-long career has spanned stage and screen, in both the United States and his native Spain. He’s a frequent collaborator of iconic Spanish writer-director Pedro Almodóvar who has starred in a number of his most notable titles, including Pain and Glory, for which he won the Best Actor award at the Cannes Film Festival, also landing an Academy Award nomination in the same category. He can currently be seen starring with Penelope Cruz in the Spanish comedy Official Competition, is set to return as the voice of Puss in Boots in Puss in Boots: The Last Wish, and next year stars in the highly anticipated fifth installment of the Indiana Jones franchise.

Keeyes serves as Head of Production at Yale Productions and has previously directed features including The Survivalist, Rogue Hostage, The Harrowing, Element, Phobia and Doom Room, among others. Other upcoming projects from the filmmaker include the thriller Code Name Banshee with Banderas and Jaime King, and the dramedy Butterscotch.

Other upcoming projects from Yale Entertainment include the recently-wrapped thriller The Kill Room, starring Uma Thurman, Samuel L. Jackson, Joe Manganiello and Maya Hawke, writer-director David Duchovny’s adaptation of his novel Bucky F*cking Dent, in which he’ll also star, and Brittany Snow’s feature directorial debut, September 17th.

Eve is represented by CAA, Independent Talent Group in the UK, Alchemy Entertainment and Jackoway Austen Tyerman; Hennig by APA, Alchemy Entertainment, and Goodman, Genow, Schenkman; Banderas by NuCo Media Group and Hirsch Wallerstein Hayum; and Yale Entertainment by APA.
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‘Early Edition’ Reboot Pilot Scrapped at CBS

‘Early Edition’ Reboot Pilot Scrapped at CBS

CBS has decided not to move forward with its gender-flipped “Early Edition” reboot project after completing the pilot, Variety has learned.

The original ’90s drama “Early Edition” starred Kyle Chandler as a man who magically received tomorrow’s edition of the Chicago Sun-Times today, delivered to his door each morning by a mysterious ginger tabby cat. His knowledge of the future then gave him the chance to change it for the better.

In the rebooted version, ambitious but uncompromising journalist Beth (Alice Eve) starts receiving tomorrow’s newspaper today. She then finds herself in the complicated business of changing the news instead of reporting it.

Beth is further described as the executive producer of KSEA, a local Seattle TV news station. A journalist/investigative reporter since she was a kid, Beth is very focused on getting the story no matter what, which sometimes puts her at odds with her beloved mentor, Tommy, who believes that the most important thing about a story is the people and its human toll.

Along with Eve, the “Early Edition” reboot pilot starred Charles Michael Davis, Jay Ali and Fiona Rene.

Melissa Glenn served as writer and executive producer on the “Early Edition” pilot. DeVon Franklin of Franklin Entertainment also executive produced along with Bob Brush. Jenna Nicholson of Franklin Entertainment are co-executive producers. Sony Pictures Television and AFFIRM Television produced in association with CBS Studios.

The original “Early Edition” starred Chandler, Shanésia Davis-Williams, Fisher Stevens, Kristy Swanson and Billie Worley. It ran for four seasons and 90 episodes on CBS between 1996 and 2000.

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Alice Eve To Headline CBS’ ‘Early Edition’ Reboot Pilot

Alice Eve To Headline CBS’ ‘Early Edition’ Reboot Pilot

Alice Eve (Belgravia) has been tapped as the lead of CBS’ drama pilot Early Edition, a gender-swapped reboot of the late-1990s series headlined by Kyle Chandler.
Written by Melissa Glenn, the new Early Edition follows Beth (Eve), an ambitious but uncompromising journalist who starts receiving tomorrow’s newspaper today and finds herself in the complicated business of changing the news instead of reporting it.

Eve’s Beth is the Executive Producer of KSEA, a local Seattle TV news station. A journalist/investigative reporter since she was a kid, Beth is very focused on getting the story no matter what — which sometimes puts her at odds with her beloved mentor, Tommy, who believes that the most important thing about a story is the people and its human toll.

Glenn executive produces the reboot with DeVon Franklin via Franklin Entertainment and Bob Brush, who developed the original. Franklin Entertainment’s Jenna Nicholson is co-exec producer of the project, which comes from Sony Pictures Television and Affirm Television — Sony TV and Affirm Films’ co-venture for family, faith, inspirational and aspirational content — in association with CBS Studios.
The original series, which was created by Ian Abrams, Patrick Q. Page and Vik Rubenfeld, aired on CBS from 1996-2000. It was set in Chicago and starred Chandler as Gary Hobson, a stockbroker who received the Chicago Sun-Times a day in advance and tries to prevent the tragedies described in the paper.

Eve just wrapped the feature action-comedy Freelance with John Cena and Alison Brie and horror film The Queen Mary. She recently starred in the Epix series Belgravia from Downton Abbey creator Julian Fellowes and next will be seen in Prime Video’s drama series The Power. Her credits also include Netflix’s anthology series, Black Mirror, and Paramount Pictures Star Trek into Darkness. Eve is repped by CAA, Independent Talent, Alchemy Entertainment and Jackoway Austen Tyerman.

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‘Black Mirror’ actress Alice Eve to headline horror film ‘The Queen Mary’

The film is the first in a planned trilogy of horror films inspired by the hauntings on-board the infamous ocean liner, that is now permanently docked in Long Beach, California.

Alice Eve, who was recently seen in Belgravia, is set to star in the upcoming horror film, The Queen Mary.

According to Deadline, the film is the first in a planned trilogy of horror films inspired by the hauntings on-board the infamous ocean liner, that is now permanently docked in Long Beach, California.

The multi-storied ocean liner, named Time Magazine’s most haunted place in the world, receives two million visitors each year.

The film will be directed by Gary Shore from a screenplay he wrote with Stephen Oliver and Tom Vaughan.

The project will be produced by Brett Tomberlin of Imagination Design Works, along with Nigel Sinclair and Nicholas Ferrall of White Horse Pictures.

Alice Eve – Flaunt Magazine

London-based and Oxford-educated thesp Alice Eve has graced the screen in an impressive range of roles from critically-acclaimed dramas like Bombshell to rom-coms She’s Out of My League and Before We Go to action thrillers Star Trek Into Darkness and Netflix’s Iron Fist. Eve speaks to us about her newest project, Belgravia, which can be seen on epix, and is a complete joy to watch, coming from none other than Downton Abbey creator Julian Fellowes.

Julian Fellowes is known for writing historical dramas that take place in the past that mirror our current socioeconomic landscape. What do you think makes Belgravia unique and what message do you think he’s trying to convey?

Belgravia is Darwinian. The Victorian society was ruthless in similar ways to ours – there was a lot to gain if you persevere and a lot to lose if you don’t. The rise of industrialism was as lucrative as the internet and so caused major disruption to the status quo. When there is disruption, there is opportunity. Victorian London had a lot of growth, like we have seen in the 21st century, so maybe that is why he chose it. You would have to ask him though!

What drew you to the world of 19th century England and what did you find interesting about this time period?

19th century England saw the birth of the civilization we live in today. Much of London still uses the plumbing set up by the Victorians. However women still weren’t afforded a place, they couldn’t work or vote. So exploring women navigating men in order to build a world that would work for them is fascinating, and Julian leaves no stone unturned when it comes to how capable women were, even when that wasn’t acknowledged by the larger society at the time.

Why do you think that over 200 years later, the challenges that women still went through still feels relatable to today’s audience?

Women still have to have babies. For that, they need to be with men, although science is looking to change that. So, essentially the basic life of many women contains the same elements.

Additionally, there was a Queen on the throne 180 years ago, which meant in England women had a role model in the highest position in the land, which considering there still hasn’t been a female president in the USA, must have given them an internal feeling of power. I think we have seen a lot of development recently in women fighting for our rights, so maybe we identify with the empowered Victorians.

Tell us about some of your conversations with Julian Fellowes and his vision for the series.

Julian came to set to visit me on the day I had the scene where I find out I am pregnant. He explained with great empathy that this for Susan was a major crossroads. If she didn’t handle the situation with great skill she could end up a ‘fallen woman’ which was ultimately someone not just cast out of society, but also of her marriage and biological family. Fallen women often ended up homeless, so this was a real moment where her survival mode kicked in, and something primal emerged in her. I really enjoyed my conversations with Julian about Susan, he had a deep sympathy for her.

Your character, ‘Susan Trenchard,’ comes off a bit divisive at the start of the series. She is incredibly intelligent and self-enterprising, but at the same token is confined by society. What was your approach in portraying her in a way that is still empathetic and relatable?

I like Susan. I respect her and see her conundrum. I think the fact she is presented in a certain way at the beginning only goes to show you can’t judge a book by it’s cover, and that we very much like to. She does not pity herself but takes action, she will not be the victim. Sometimes it takes a little longer to understand a person or character who will not compromise their needs, but eventually it can generate deep respect, as we are all working towards respecting ourselves enough to live according to our own doctrine.

The costumes and hairstyles are another distinctive part of the show. What was it like moving back to in time and what was it like to get into character? Was there a particular piece of the costume that helped you get there?

I loved the jewelry the Victorians used, it was so tender, with little shadow portraits engraved on pieces, or detailed gem placements. It reflected their reverence for the subtle, which extended to their behavior, even a rogue look meant something to them. They did not live by broad strokes, but by care to every item and every moment, and I long for that in our world.

One thing that really stands out from the series are the moments of conflict among the women who seem to be struggling with the social constructs that defined them. How do think Susan managed to overcome her limitations? 

I think Susan had to, often when we have no choice we tend to do better than when we have options available to us. She was very contained by her circumstances, and so displays a deeply rebellious nature, but at the same time one that understands her duty. Susan is very complex, but also brave, which are qualities I really admired in her.  

What I love most about your career is your versatility with the characters you’ve played. What is the key to that versatility and what has your favorite role been thus far? 

My favorite is always who I last played I think, I was deeply in love with Susan. But I suppose I see everyone as equal in the world, even people who have hurt me, so there isn’t anyone I wouldn’t want to play. We all have a reason.  

BY MUI-HAI CHU